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Covers of the Albert King staple "Crosscut Saw" and Sleepy John Estes's "Everybody Oughta Make a Change" boast the album's best blues fills and flurries, while the freight-train jump blues of Johnny Otis's "Crazy Country Hop" closes out the low-key LP with something more resembling a bang

His vocals are quietly blunt and romantic: We wanted to fuck with real love / Wanted it sweet, so pure and warm / Never only sleeping over. The hard edge of some lyrics are an intentional contrast with the soft sound of the music, Gonzalez says

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It really does kind of unfold to: Wow, there is a lot more going on

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