Cultural Labour The Confident Leader The book draws on a

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and the dance-like cinema of Germaine Dulac DL Andrew demonstrates that abstraction was deployed not only as modernist form but as an apparatus of creation

Cultural Labour The Confident Leader The book draws on aFolk performances reflect the life worlds of a vast section of subaltern communities in India. What is the philosophy that drives these performances, the vision that enables as well as enslaves these communities to present what they feel, think, imagine, and want to see? Can such performances challenge social hierarchies and ensure justice in a caste ridden society? In Cultural Labour, the author studies bhuiyan puja (landworship), bidesia (theatre of