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four-hand works
It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms‘ contemporaries
The complete Urtext edition of the "Préludes op
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took this simple
Dichterliebe for High Voice Op. 48 - Schumann Opera four-hand worksRobert Schumann once described his lieder as a mirror image of his self. This applies particularly to his compositions from Heinrich Heines Buch der Lieder. What began as a lyrical intermezzo, then developed into Dichterliebe, a work with which Schumann identified the ardour of his love for Clara Wieck. This work still presents an enigma to performers; how Schumann interpretes Heines irony in his music is often discussed. But one thing is certain:
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